Really? Hero Aca is super misogynistic and the shit with the evil “Liberation Front” is bad, but generally I think it’s at least somewhat progressive. They have a disgraced “hero” who was a eugenicist and they spend a lot of time on discussing how it affected his various victims, how they try to move on, and how he tries to redeem himself, and the usual Great Man thing, while not not a thing, is significantly subverted starting from the penultimate arc and carried through the last one.
Maybe I’m just a dweeb, but while I don’t actually like Hero Aca that much or think it’s that clever, the way that it turns around and substantially rejects the normal shounen “I’m going to become the [whatever] King” in favor of collectively working toward a better future puts it way ahead of a lot of shounen imo
Edit: By the way, the guy saying “my hero” was apparently referring to a comic he drew, though I couldn’t identify it. But it does have a white dude in American regalia sadistically brutalizing a black guy in front of his crying partner, so there’s that.
BNHA is in such a weird place because it’s completely incoherent but there’s at least some acknowledgement in it that its world is completely fucked, the author just doesn’t have the sort of political literacy required to actually understand, unpack, and criticize it cogently. Like the entire hero system is bad, it’s built on hypocritical lies and on exploiting and commodifying people’s desire to help one another, the broader society is just completely refusing to deal with the persecution of anyone with quirks that cause any but the most aesthetically pleasing physical mutations, and there’s no coherent answer or will to resolve this so they just keep sort of kicking the can down the road rather than dealing with it, but the author doesn’t have an answer either because he’s a lib and so only has right wing frameworks to draw on, making the villains the mouthpieces for cogent criticisms of the world’s real problems but at the same giving them more extreme right wing answers that just make things worse.
Like Stain was fundamentally the super-power version of in terms of mixing cogent critiques with gibbering reactionary nonsense and directionless, pointlessly cruel methods. The Liberation Front had cogent grievances with the bigotry of mainstream society and with how ill-fitting the blanket restrictions on super power use were (although IIRC the author’s explicit commentary on those laws was that they weren’t actually nearly as draconian as initially portrayed, but rather boiled down to criminalizing injuring or endangering others with them, and putting disruptive or reckless use of them in a “you will be asked to please not do that around other people” tier, with anything below that being tacitly accepted), but were a bunch of social darwinist libertarian chuds who wanted to reorder society’s hierarchy based on who rolled the biggest gun and lifted pickup truck combo with their magic good boy genes.
There’s no real fully oppositional critique in the story from anything but a gibbering reactionary perspective, while softer liberal critiques just collaborate with and get recuperated back into the system.
the way that it turns around and substantially rejects the normal shounen “I’m going to become the [whatever] King” in favor of collectively working toward a better future puts it way ahead of a lot of shounen imo
Yeah, that’s the best that can be said about it really. It has some thread of solidarity in a stratified, hyper-individualist world that gives it at least some redeeming themes, for all that the rest of it is incoherent beyond just a general understanding that the setting is a bad place ruled by people who are definitely wrong in at least some ways.
To Be Hero X did fundamentally the same conceit way better, and actually managed to cogently critique a similar society in an absolutely scathing way, at least in the first half. I do still need to finish watching that at some point.
I agree that the author’s political literacy is fundamentally inadequate for the setting he wrote, and will keep repeating that I don’t actually really like BNHA, but I talked more about what I viewed as some of the better qualities of the series in another comment. I think their handling of the super-eugenicist is also surprisingly progressive, but I think a lot of other people have spent way more time on that subject and, while I think it’s good, I never found it that interesting tbh.
I think the core message of the series is intended to be a relatively egalitarian solidarity and I can at least give it credit for being pretty clear on that point by the end.
their handling of the super-eugenicist is also surprisingly progressive
I assume you’re talking about Endeavor there? I’d agree, yeah. Giving him a redemption arc without the idealistic feel-good parts of a redemption arc, where he’s an evil piece of shit who’s done so much harm that he can never make up for it and will genuinely never be forgiven nor absolved but that he can still become better and stop being a piece of shit moving forwards, that’s actually pretty good. That kind of story so often falls into giving the subject of it a reward (usually the forgiveness of their victims) for accumulating enough special good boy redemption points that what’s basically a cold “oh, you’re trying to be better, you’re trying to stop being so destructive to everyone around you? Cool, good, you absolutely should do that, but you still suck, we all still hate you, and things can never be the normal you want” response from his victims instead is great writing.
I think the core message of the series is intended to be a relatively egalitarian solidarity and I can at least give it credit for being pretty clear on that point by the end.
I agree, it’s not a noxious series in the way some people think, it’s just a flawed and incoherent but ultimately well meaning one.
That’s not fair, it’s not even close to that bad. Harry Potter is a story about a rich nepobaby jock with special good boy genes who lives in a nightmarish hellworld the author fundamentally thinks is right and good, who just sort of coasted along on pure vibes reacting to shit that happened from my very distant memory of all the books that were out when I was still a literal child which was only like the first half of the series at the most, who wins on his own with a special good boy technicality and grows up to be a cop.
BNHA is a story about a working class kid who lost the magic gene lottery but gets the super power equivalent of a scholarship for being selflessly altruistic and self-sacrificing, who suffers considerably in the course of working towards his dream of inspiring and helping others, in a nightmarish hellworld the author clearly recognizes is bad and can make some cogent criticisms of even if there’s no offered solution, and the ultimate conflict is resolved through the combined efforts of the entire cast in a stand up fight, although the protagonist does still grow up to be a sort of cop-without-the-license-to-kill/first responder hybrid.
It’s a flawed and incoherent work, but is fundamentally the work of a well-meaning lib who just doesn’t have the necessary framework to do better, as opposed to HP which is reactionary slop from a noxious status-quo neolib who is completely amoral and monstrous.
The only difference between Harry and Deku is that Harry has a horrible upbringing and Deku has a nice mom. Otherwise their stories are basically the same, totally normal kid gets magical/super powers and gets thrust into a world they couldn’t have been in otherwise where they live out a school life as The Chosen One before ultimately facing a pre-ordained nemesis evil to change literally nothing about the world.
And they both become cops.
Harry Potter is also a working class kid who is given everything he could ever want upon becoming The Chosen One. Just the same as Deku. You can’t pretend his upbringing with the Dursleys wasn’t real just because he gets given everything he could ever need when he discovers he’s magical. Deku similarly is given everything he could ever need upon becoming The Chosen One.
The only difference between Harry and Deku is that Harry has a horrible upbringing and Deku has a nice mom.
There’s such a massive categorical difference in themes and tone between the “classic” British story of a seemingly poor boy victimized by the dirty vulgar poors who learns he’s actually a pure blooded aristocrat fancy lad and gets whisked away on a shopping trip to eat tasty treats and buy fun consumer goods with the family fortune, before coasting through everything as a special meathead rich boy who does sportsball good, then wins on a technicality because he is literally the magic chosen one who doesn’t even have to get his hands dirty he just wins for being a good little fancy lad with the right genes, versus a kind of lib story about a kid with the diegetic equivalent of a learning disability overcoming it with hard work and a scholarship, who has to fight tooth and nail to keep up, and who ultimately plays second fiddle to his rival as part of a collective group effort.
Like the “normal kid -> somehow powers? -> weird school time -> involved in some kind of conflict in some fashion” is such a generic plot progression that if you tried hard enough you could probably map it to hundreds of series across a ton of genres, not to mention how “normal kid goes to magic school and is actually super awesome and the hero and stuff” is like an entire genre in and of itself, like half of them isekais too lmao. Little Witch Academia does it and is meaningfully better than either story, Witch Hat Atelier does at least some of it and is better still from the volumes I’ve read. Fucking I’m in Love With the Villainess does it and is both an isekai and even more lib than BNHA although it gets a whole lot of bonus points for not just being queer but openly talking about LGBT issues and doing the only “this is explicitly a trans allegory” story that I’ve ever seen done well, although it loses a whole bunch again because Rae Taylor is the actual worst.
While we’re on lgbt issues, MHA introduces a trans character as a villain and then kills them, they are the first named character in the show to die.
It’s been so long since I watched the early seasons that I’d completely memory holed that part.
Tbh I really can’t believe I’m defending BNHA, because I do not like it and it’s such a flawed story with incoherent themes and bad pacing (I mean like half the story is drawn out shonen tournament arc bullshit which has always been bad in every series to ever do it, most of which is even lower stakes and is just the class doing war game exercises) or bad worldbuilding ideas (like the “no quirk use without a hero license” thing that IIRC the author later regretted and sort of retconned in the notes that accompany the volumes) and other series do its whole thing better, but it is absolutely not as bad as Harry Potter either thematically or in terms of actual quality.
no worries, it’s an incredible little diamond of soy-right drivel, it includes faux fourth-wall-breaking on page one and the word “yoink” while also being racist violence-fantasy wank
the context of that pic is the hero just rescued the woman from a gang attack (hispanic coded, naturally) and the other guy was the group leader or whatever
The very first words in the series are that people aren’t born equal and that the protagonist (Deku) is on the negative side of that inequality, because not everyone has powers and Deku was born without them, something for which he was abused throughout his childhood. The first arc of the manga hinges on him unknowingly demonstrating to the lead hero of the time (All Might) that he has a courageous disposition, throwing himself into danger to save someone despite lacking powers. All Might tells him that he should be a hero, that he is the sort of person most suited for it because of his character, regardless of his relatively lack of ability. The end of the first chapter comes back to the scenario of those first words you allude to and Deku being heartbroken in his childhood that he couldn’t be a hero because he didn’t have powers, remembering that as his mother tried to console him back then, he wished that she had instead told him that despite it all he still can become a hero. It’s made somewhat more obvious by this that the opening monologue was an expression of internalized bigotry and despair at his condition.
All Might’s power (“One for All”) has a unique feature, which is that he can pass it on to a new bearer, and he chooses Deku because of his character. I obviously have some misgivings with this plot point, but I think it works out in the end.
In the end,
All Might, as a result of the above, eventually loses his power, though he is still involved in the final conflict because he basically gets Iron Man armor, and of course he still has his character and experience which let him make good use of it. Deku, the so-called chosen one, is more or less defeated on an individual basis, and passes his power on to one of his classmates by the same means, losing it in the process and returning to his original state of not having powers, because the urgency of the situation demanded that every available resource be put toward the immediate defeat of their opposition. That classmate, who incidentally was the main person who abused him in their childhood, thwarts the Big Bad (someone whose power was basically to rob others of theirs, “All for One”), and to some extent makes amends with Deku. For the next few years, Deku is in semi-retirement from being a hero because of both not having powers and being traumatically injured in the fight, instead working as a teacher, but eventually is able to become a hero again via the same technology that All Might used.
The subversion that I was talking about is based on the very last line of the first chapter, where Deku’s narration continues from the scene I just mentioned to say that “This is the story of how I became the greatest hero” (which I’m also seeing translated as merely “a great hero”). This can be viewed as the “promise” of the series, which is a common trope in shounen, like Naruto saying “I’m going to become Hokage!” It can also be viewed as him slingshotting from despair to a type of well-meaning but misguided arrogance, though the audience is clearly not meant to read it as such at the time, but just to take it at face value.
The penultimate arc, while it can easily come off as a senseless and needlessly edgy sidetrack, is meant to be the expression of the flaws in Deku’s Great Man, self-sacrifice-fetishizing ideology, as he works himself nearly to death taking on every possible fight alone so that other people don’t get hurt. It’s an overly narrow expression of the meaning of the phrase “One for All,” you could say. The details don’t really matter and the execution is clumsy, but it ends with one of his classmates, assisted by a huge crowd and his other classmates, talking sense into him that this approach is irrational and he needs to accept other people bearing the weight of things rather than acting like the so-called chosen one because of the power he inherited and his confused, condescending attempt at compassion. Deku, collapsing in tears, addresses the reader by going back to that “promise” and amending it, now saying that the present story is also “The story about how we all became the greatest heroes.” i.e. himself, his peers, their mentors, their supporters among “hero society,” and even the general public (kind of), as a small child who is a fan of Deku’s and another nameless civilian come to Deku’s aid while he is collapsed on a rainy street.
Anyway, like I said, I don’t really like the series and there are lots of things to criticize about it, but calling the core message fascist is a complete misunderstanding of what it’s trying to communicate.
Glad I could help. Yeah, that’s probably the most boring arc, though I quit watching the anime around season 2 because I just thought it was poorly written outside of the first episode (and even then, the “promise” made the story feel kind of flat). My memory on all the stuff that happens with One for All is a little hazy and I think it was a little confusing to me even when I was reading it, so it might not be exactly right along with there being a ton of things left out. I think the rest of the series is worth seeing, but it’s hardly the best, so I can’t fault anyone for bouncing off of it.
I think I started reading the manga because I briefly had a friend who was a big fan of the anime, and otherwise I probably would have just ignored it indefinitely. I’m glad I read it though, mostly for the last part I mentioned in the previous comment.
MHA is superhero Harry Potter with exactly the same worldbuilding, exactly the same main character (minus horrible childhood) and exactly the same flaws in that it just wants to preserve the status quo despite depicting a society that is not good. It has the same takes on everything as Harry Potter does.
I think this is a little extreme. It’s not exactly on the “ethical slavery” meta that HP is, it just commits the most generic sin of superhero media while still having an unusual (not unique, just unusual) emphasis on solidarity by the end.
Really? Hero Aca is super misogynistic and the shit with the evil “Liberation Front” is bad, but generally I think it’s at least somewhat progressive. They have a disgraced “hero” who was a eugenicist and they spend a lot of time on discussing how it affected his various victims, how they try to move on, and how he tries to redeem himself, and the usual Great Man thing, while not not a thing, is significantly subverted starting from the penultimate arc and carried through the last one.
Maybe I’m just a dweeb, but while I don’t actually like Hero Aca that much or think it’s that clever, the way that it turns around and substantially rejects the normal shounen “I’m going to become the [whatever] King” in favor of collectively working toward a better future puts it way ahead of a lot of shounen imo
Edit: By the way, the guy saying “my hero” was apparently referring to a comic he drew, though I couldn’t identify it. But it does have a white dude in American regalia sadistically brutalizing a black guy in front of his crying partner, so there’s that.
BNHA is in such a weird place because it’s completely incoherent but there’s at least some acknowledgement in it that its world is completely fucked, the author just doesn’t have the sort of political literacy required to actually understand, unpack, and criticize it cogently. Like the entire hero system is bad, it’s built on hypocritical lies and on exploiting and commodifying people’s desire to help one another, the broader society is just completely refusing to deal with the persecution of anyone with quirks that cause any but the most aesthetically pleasing physical mutations, and there’s no coherent answer or will to resolve this so they just keep sort of kicking the can down the road rather than dealing with it, but the author doesn’t have an answer either because he’s a lib and so only has right wing frameworks to draw on, making the villains the mouthpieces for cogent criticisms of the world’s real problems but at the same giving them more extreme right wing answers that just make things worse.
Like Stain was fundamentally the super-power version of
in terms of mixing cogent critiques with gibbering reactionary nonsense and directionless, pointlessly cruel methods. The Liberation Front had cogent grievances with the bigotry of mainstream society and with how ill-fitting the blanket restrictions on super power use were (although IIRC the author’s explicit commentary on those laws was that they weren’t actually nearly as draconian as initially portrayed, but rather boiled down to criminalizing injuring or endangering others with them, and putting disruptive or reckless use of them in a “you will be asked to please not do that around other people” tier, with anything below that being tacitly accepted), but were a bunch of social darwinist libertarian chuds who wanted to reorder society’s hierarchy based on who rolled the biggest gun and lifted pickup truck combo with their magic good boy genes.
There’s no real fully oppositional critique in the story from anything but a gibbering reactionary perspective, while softer liberal critiques just collaborate with and get recuperated back into the system.
Yeah, that’s the best that can be said about it really. It has some thread of solidarity in a stratified, hyper-individualist world that gives it at least some redeeming themes, for all that the rest of it is incoherent beyond just a general understanding that the setting is a bad place ruled by people who are definitely wrong in at least some ways.
To Be Hero X did fundamentally the same conceit way better, and actually managed to cogently critique a similar society in an absolutely scathing way, at least in the first half. I do still need to finish watching that at some point.
I agree that the author’s political literacy is fundamentally inadequate for the setting he wrote, and will keep repeating that I don’t actually really like BNHA, but I talked more about what I viewed as some of the better qualities of the series in another comment. I think their handling of the super-eugenicist is also surprisingly progressive, but I think a lot of other people have spent way more time on that subject and, while I think it’s good, I never found it that interesting tbh.
I think the core message of the series is intended to be a relatively egalitarian solidarity and I can at least give it credit for being pretty clear on that point by the end.
I assume you’re talking about Endeavor there? I’d agree, yeah. Giving him a redemption arc without the idealistic feel-good parts of a redemption arc, where he’s an evil piece of shit who’s done so much harm that he can never make up for it and will genuinely never be forgiven nor absolved but that he can still become better and stop being a piece of shit moving forwards, that’s actually pretty good. That kind of story so often falls into giving the subject of it a reward (usually the forgiveness of their victims) for accumulating enough special good boy redemption points that what’s basically a cold “oh, you’re trying to be better, you’re trying to stop being so destructive to everyone around you? Cool, good, you absolutely should do that, but you still suck, we all still hate you, and things can never be the normal you want” response from his victims instead is great writing.
I agree, it’s not a noxious series in the way some people think, it’s just a flawed and incoherent but ultimately well meaning one.
MHA is superhero Harry Potter
That’s not fair, it’s not even close to that bad. Harry Potter is a story about a rich nepobaby jock with special good boy genes who lives in a nightmarish hellworld the author fundamentally thinks is right and good, who just sort of coasted along on pure vibes reacting to shit that happened from my very distant memory of all the books that were out when I was still a literal child which was only like the first half of the series at the most, who wins on his own with a special good boy technicality and grows up to be a cop.
BNHA is a story about a working class kid who lost the magic gene lottery but gets the super power equivalent of a scholarship for being selflessly altruistic and self-sacrificing, who suffers considerably in the course of working towards his dream of inspiring and helping others, in a nightmarish hellworld the author clearly recognizes is bad and can make some cogent criticisms of even if there’s no offered solution, and the ultimate conflict is resolved through the combined efforts of the entire cast in a stand up fight, although the protagonist does still grow up to be a sort of cop-without-the-license-to-kill/first responder hybrid.
It’s a flawed and incoherent work, but is fundamentally the work of a well-meaning lib who just doesn’t have the necessary framework to do better, as opposed to HP which is reactionary slop from a noxious status-quo neolib who is completely amoral and monstrous.
The only difference between Harry and Deku is that Harry has a horrible upbringing and Deku has a nice mom. Otherwise their stories are basically the same, totally normal kid gets magical/super powers and gets thrust into a world they couldn’t have been in otherwise where they live out a school life as The Chosen One before ultimately facing a pre-ordained nemesis evil to change literally nothing about the world.
And they both become cops.
Harry Potter is also a working class kid who is given everything he could ever want upon becoming The Chosen One. Just the same as Deku. You can’t pretend his upbringing with the Dursleys wasn’t real just because he gets given everything he could ever need when he discovers he’s magical. Deku similarly is given everything he could ever need upon becoming The Chosen One.
There’s such a massive categorical difference in themes and tone between the “classic” British story of a seemingly poor boy victimized by the dirty vulgar poors who learns he’s actually a pure blooded aristocrat fancy lad and gets whisked away on a shopping trip to eat tasty treats and buy fun consumer goods with the family fortune, before coasting through everything as a special meathead rich boy who does sportsball good, then wins on a technicality because he is literally the magic chosen one who doesn’t even have to get his hands dirty he just wins for being a good little fancy lad with the right genes, versus a kind of lib story about a kid with the diegetic equivalent of a learning disability overcoming it with hard work and a scholarship, who has to fight tooth and nail to keep up, and who ultimately plays second fiddle to his rival as part of a collective group effort.
Like the “normal kid -> somehow powers? -> weird school time -> involved in some kind of conflict in some fashion” is such a generic plot progression that if you tried hard enough you could probably map it to hundreds of series across a ton of genres, not to mention how “normal kid goes to magic school and is actually super awesome and the hero and stuff” is like an entire genre in and of itself, like half of them isekais too lmao. Little Witch Academia does it and is meaningfully better than either story, Witch Hat Atelier does at least some of it and is better still from the volumes I’ve read. Fucking I’m in Love With the Villainess does it and is both an isekai and even more lib than BNHA although it gets a whole lot of bonus points for not just being queer but openly talking about LGBT issues and doing the only “this is explicitly a trans allegory” story that I’ve ever seen done well, although it loses a whole bunch again because Rae Taylor is the actual worst.
this conversation inspired me https://hexbear.net/post/6593791?scrollToComments=false
While we’re on lgbt issues, MHA introduces a trans character as a villain and then kills them, they are the first named character in the show to die.
It’s been so long since I watched the early seasons that I’d completely memory holed that part.
Tbh I really can’t believe I’m defending BNHA, because I do not like it and it’s such a flawed story with incoherent themes and bad pacing (I mean like half the story is drawn out shonen tournament arc bullshit which has always been bad in every series to ever do it, most of which is even lower stakes and is just the class doing war game exercises) or bad worldbuilding ideas (like the “no quirk use without a hero license” thing that IIRC the author later regretted and sort of retconned in the notes that accompany the volumes) and other series do its whole thing better, but it is absolutely not as bad as Harry Potter either thematically or in terms of actual quality.
after learning more about this guy than i needed to know, i think it might be called Lonestar
That’s definitely the one. Sorry about indirectly prompting you to subject yourself to this guy’s garbage.
no worries, it’s an incredible little diamond of soy-right drivel, it includes faux fourth-wall-breaking on page one and the word “yoink” while also being racist violence-fantasy wank
the context of that pic is the hero just rescued the woman from a gang attack (hispanic coded, naturally) and the other guy was the group leader or whatever
I think the very first words of the series is the protagonist chosen one saying that some people are inherently better than others
The very first words in the series are that people aren’t born equal and that the protagonist (Deku) is on the negative side of that inequality, because not everyone has powers and Deku was born without them, something for which he was abused throughout his childhood. The first arc of the manga hinges on him unknowingly demonstrating to the lead hero of the time (All Might) that he has a courageous disposition, throwing himself into danger to save someone despite lacking powers. All Might tells him that he should be a hero, that he is the sort of person most suited for it because of his character, regardless of his relatively lack of ability. The end of the first chapter comes back to the scenario of those first words you allude to and Deku being heartbroken in his childhood that he couldn’t be a hero because he didn’t have powers, remembering that as his mother tried to console him back then, he wished that she had instead told him that despite it all he still can become a hero. It’s made somewhat more obvious by this that the opening monologue was an expression of internalized bigotry and despair at his condition.
All Might’s power (“One for All”) has a unique feature, which is that he can pass it on to a new bearer, and he chooses Deku because of his character. I obviously have some misgivings with this plot point, but I think it works out in the end.
In the end,
All Might, as a result of the above, eventually loses his power, though he is still involved in the final conflict because he basically gets Iron Man armor, and of course he still has his character and experience which let him make good use of it. Deku, the so-called chosen one, is more or less defeated on an individual basis, and passes his power on to one of his classmates by the same means, losing it in the process and returning to his original state of not having powers, because the urgency of the situation demanded that every available resource be put toward the immediate defeat of their opposition. That classmate, who incidentally was the main person who abused him in their childhood, thwarts the Big Bad (someone whose power was basically to rob others of theirs, “All for One”), and to some extent makes amends with Deku. For the next few years, Deku is in semi-retirement from being a hero because of both not having powers and being traumatically injured in the fight, instead working as a teacher, but eventually is able to become a hero again via the same technology that All Might used.
The subversion that I was talking about is based on the very last line of the first chapter, where Deku’s narration continues from the scene I just mentioned to say that “This is the story of how I became the greatest hero” (which I’m also seeing translated as merely “a great hero”). This can be viewed as the “promise” of the series, which is a common trope in shounen, like Naruto saying “I’m going to become Hokage!” It can also be viewed as him slingshotting from despair to a type of well-meaning but misguided arrogance, though the audience is clearly not meant to read it as such at the time, but just to take it at face value.
The penultimate arc, while it can easily come off as a senseless and needlessly edgy sidetrack, is meant to be the expression of the flaws in Deku’s Great Man, self-sacrifice-fetishizing ideology, as he works himself nearly to death taking on every possible fight alone so that other people don’t get hurt. It’s an overly narrow expression of the meaning of the phrase “One for All,” you could say. The details don’t really matter and the execution is clumsy, but it ends with one of his classmates, assisted by a huge crowd and his other classmates, talking sense into him that this approach is irrational and he needs to accept other people bearing the weight of things rather than acting like the so-called chosen one because of the power he inherited and his confused, condescending attempt at compassion. Deku, collapsing in tears, addresses the reader by going back to that “promise” and amending it, now saying that the present story is also “The story about how we all became the greatest heroes.” i.e. himself, his peers, their mentors, their supporters among “hero society,” and even the general public (kind of), as a small child who is a fan of Deku’s and another nameless civilian come to Deku’s aid while he is collapsed on a rainy street.
Anyway, like I said, I don’t really like the series and there are lots of things to criticize about it, but calling the core message fascist is a complete misunderstanding of what it’s trying to communicate.
I wanted to know how MHA ended but couldn’t really get past the internship season and now I know how it ends, sorta. Thank you.
Glad I could help. Yeah, that’s probably the most boring arc, though I quit watching the anime around season 2 because I just thought it was poorly written outside of the first episode (and even then, the “promise” made the story feel kind of flat). My memory on all the stuff that happens with One for All is a little hazy and I think it was a little confusing to me even when I was reading it, so it might not be exactly right along with there being a ton of things left out. I think the rest of the series is worth seeing, but it’s hardly the best, so I can’t fault anyone for bouncing off of it.
I think I started reading the manga because I briefly had a friend who was a big fan of the anime, and otherwise I probably would have just ignored it indefinitely. I’m glad I read it though, mostly for the last part I mentioned in the previous comment.
Ohhh so that’s how it ends. That’s a more unique conclusion than I actually expect, I think it deserves some praise in that front.
MHA is superhero Harry Potter with exactly the same worldbuilding, exactly the same main character (minus horrible childhood) and exactly the same flaws in that it just wants to preserve the status quo despite depicting a society that is not good. It has the same takes on everything as Harry Potter does.
I think this is a little extreme. It’s not exactly on the “ethical slavery” meta that HP is, it just commits the most generic sin of superhero media while still having an unusual (not unique, just unusual) emphasis on solidarity by the end.
I have been inspired https://hexbear.net/post/6593791